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Movie: Circumstances (2011)
Release Date: 2011
Directors: Ian Gamazon
Writers: Ian Gamazon
Genres: Drama | Thriller
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A pregnant woman kidnaps a man who has done her wrong and makes him confess to his sins. From the director of Cavite (Independent Spirit Award winner) starring Long Nguyen (Journey from the Fall, Heaven and Earth) and Quynn Ton comes a movie about a bow, a wheelchair and a fireplace. The Name of the Rose is the first novel by Italian author Umberto Eco. It is a historical murder mystery set in an Italian monastery in the year 1327, an intellectual mystery combining semiotics in fiction, biblical analysis, medieval studies and literary theory. First published in Italian in 1980 under the title Il nome della rosa, it appeared in English in 1983, translated by William Weaver.
Franciscan friar William of Baskerville and a Benedictine novice Adso of Melk travel to a Benedictine monastery in Northern Italy to attend a theological disputation. As they arrive, the monastery is disturbed by a suicide. As the plot unfolds, several other monks die, some clearly murdered, under mysterious circumstances. William is tasked by the Abbot of the monastery to investigate the deaths, and new experiences also unfold. The protagonists explore a labyrinthine medieval library, discuss the subversive power of laughter, and come face to face with the Inquisition. William’s innate curiosity and highly-developed powers of logic and deduction provide the keys to unravelling the mysteries of the abbey.
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On one level, the book is an exposition of the scholastic method which was very popular in the 14th century. William demonstrates the power of deductive reasoning, especially syllogisms. He refuses to accept the diagnosis of simple demonic possession despite demonology being the traditional monastic explanation. Although the abbey is under the apprehension that they are experiencing the last days before the coming of Antichrist (a topic closely examined in the book), William, through his empirical mindset, manages to show that the murders are, in fact, committed by a more corporeal instrument. By keeping an open mind, collecting facts and observations, following pure intuition, and the dialectic method, he makes decisions as to what he should investigate, exactly as a scholastic would do.
However, the simple use of reason does not suffice. The various signs and happenings only have meaning in their given contexts, and William must constantly be wary of the contexts within which he interprets the mystery. Indeed, the entire story challenges the narrator, William’s young apprentice Adso, and the reader to continually recognize the context he is using to interpret, bringing the whole text to various levels which can all have different hermeneutical meanings. The narrative ties in many varied plot lines, all of which consider various interpretations and sources of meanings.
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