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 Sometimes, we laugh at movies. At times, we laugh in movies. Thankfully, ALL THE BEST, helmed by Rohit Shetty, belongs to the latter type.
The jokes and the goings-on may appear silly, but who cares! As long as one feels positive and wears a smile on the face even after the show has ended, nothing else matters.

Comedy is serious business and Rohit Shetty is a pro at this genre now. This time, the talented director seeks inspiration from RIGHT BED, WRONG HUSBAND and what works to the advantage are two factors – the written material and the right casting. Both are just right!
From time to time, it has been noticed that some films are made with the motive of keeping you entertained. ALL THE BEST is one of those films. Go, have a blast this Diwali!
Veer [Fardeen Khan], a singer by profession, is greedy of extracting extra pocket money from his brother Dharam [Sanjay Dutt], a business-honcho. Veer lies to Dharam that he has got married and his friend Prem [Ajay Devgn], a concept car expert, lends a helping hand in cooking up this alibi.
Veer is in love with Vidya [Mugdha Godse], but has qualified in the hate list of her father. Prem is happily married to Jhanvi [Bipasha Basu], who takes care of his ancestor’s outdated gymnasium. Veer and Prem land up in debts as they had opted for a short-cut to earn easy money.
The two get into a bigger soup when Dharam pays a sudden visit to their place. Time does not give a chance and unavoidable circumstances arouse such situations that Prem’s wife Jhanvi is mistaken for Veer’s and Veer’s girlfriend for Prem’s.
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Like his previous films, director Rohit Shetty rests the story on multiple characters, with a dozen odd actors in supporting roles. With so many characters in the film, it generally tends to get confusing, but ALL THE BEST has an easy-to-comprehend story and a trouble-free and uncomplicated screenplay [Robin Bhatt and Yunus Sajawal].
Kevin James and talking animals. Doesn’t seem like a particularly extensive screenwriting challenge, yet “Zookeeper” features an extraordinary amount of outside interference for a picture that shouldn’t stray from the essentials. More amusing than funny, but only when it includes the antics of the wild kingdom, the picture drags unnecessarily, trying to convince viewers that the human elements of the script have value when all anyone really wants to see is a talking gorilla in a polo shirt.

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